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our approach
Why work with Calverts?
Print buyers come to Calverts for four main reasons - our creativity, quality, expert advice and track record in sustainable printing.
We have proper conversations with our clients, to help them realise their print ambitions - from fairtrade teaching tools and low carbon travel guides to art and science comics and high end books. There's almost no print idea we can't turn into reality.
We have a hard-earned reputation as 'green' printers. We're always investing, learning and sharing what we know about every aspect of low environmental impact communications.
And Calverts worker co-operative business model means we're able to improve continuously, by putting our money into state-of-the art repro and printing hardware, software and training - instead of paying dividends to outside owners and shareholders.
All this adds up to higher quality, higher impact print; timely delivery - and a better print experience.
Get in touch and we'll help you print something beautiful.
ENVIRONMENTAL POLICY
Standards & certification
Design and print affect the environment. Calverts has therefore implemented an environmental management system to the requirements of ISO 14001 to reduce our negative environmental impacts.
We are committed to comply with or exceed the requirements of environmental legislation and other environmental initiatives to which we subscribe. We are also committed to the prevention of pollution and continual improvement.
Our objectives are to:
1) Reduce our carbon emissions
2) Reduce the impact of paper use on natural resources
3) Improve resource efficiency and recycling
We have set up programmes to achieve this with targets and time scales.
Tag Archives: Sara de Bont
Fraser Muggeridge
We've worked with both Sara de Bondt and Fraser Muggeridge in 2009, making catalogues for the Hockney retrospective and Frances
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Posted in Print, Publishing
Tagged B5 size, Book printing, Fraser Muggeridge, Sara de Bont
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Nottingham Contemporary
Today Calverts delivered 2,440 copies of the catalogue for a major 1960-1968 retrospective of David Hockney's paintings and drawings.
Subtitled
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