Around and about

It’s a Big, Small World

Tuesday, July 13th, 2010

YourVisitCalvertsJuly2010 002We just spent a hugely enjoyable afternoon with four South Korean colleagues, who came to Calverts to talk about the experience of setting up a co-operatively owned and managed business with an environmental and community benefit mission.

Lee Donghyun and Lee HyoJeong of the Recycling Federation of Social Solidarity Enterprise, and Ladeok Koo of the Korea Computer Refurbish Centre, were accompanied by Hyung Sik Eum, who is working with with the European worker co-op network, CECOP.

We were able to offer our guests some insights into the situation for worker co-operative startups in the UK, and found strong parallels between the UK and Korean context – particularly, difficulty with finding startup capital, a steep learning curve in terms of management skills among the co-op’s founder members,  and the prejudice of potential backers in favour of the company (rather than co-operative) model. Our guests were particularly interested in how we found strength in co-operation – the powerful formula of member ownership, member control and member benefit – to overcome those early problems.

The group was especially interested in Calverts environmental policy, practice and accreditations, including FSC and ISO 14001, and our efforts to find a sustainable and co-operative supply chain for recycled and FSC certified papers.

A  factory, studio and office tour were followed by Fair Trade coffee and chocolate biscuits, which melted in the heat and humidity of Calverts small south-facing meeting room.

The group has a hectic schedule of visits. Yesterday they went to a worker co-operative run community recycling scheme in Bristol, this morning they were at Paperback recycled paper co-operative, and tomorrow they fly to Brussels for more fact finding about European worker co-ops and environmental businesses.

Thanks to the four of you for your interest in what we do here at Calverts, and especially for the gift of three traditional Korean fans, which will be pressed into action immediately. We hope the rest of your tour is fruitful, and wish you every success.


London’s first wildflower station

Sunday, June 20th, 2010

We printed this poster for the lovely Friends of Homerton Station.

FOHS are hoping to commission a series of posters by Hackney-based artists, designers and photographers so please get in touch if you’d like to know more.

fohs


Dant on Drink

Thursday, May 13th, 2010

We have been working again with the artist Adam Dant and Fraser Muggeridge Studio to produce DANT ON DRINK, a 56 page soft back book exploring British attitudes to drinking.

dant_cover

It’s a beautiful piece of work, printed with a special ink mix on an interesting choice of papers -  Munken Pure Rough, Satimat tip-ins, and a 270g Colourplan Scarlet Buckram finish cover,  “plate sunk” for added effect.

Dant on Drink: Drawings about Drinking in Britain
7 May – 4 July 2010
The New Art Gallery Walsall


At the Sign of the Black Spread Eagle

Sunday, February 14th, 2010

We get a mention in Jess Baine’s recent wiki on radical and community printshops…”the co-operative named ‘Calverts’ in honour of Giles and Elizabeth Calvert…”.

But who were Giles and Elizabeth Calvert?

Radical seventeenth century publishers during the  English Civil war, purveyors of ’soul-poysons’, members of the sect My One Flesh, imprisoned for printing books such as Richard Overton’s The last warning to all the inhabitants of London and Lawrence Clarkson’s ‘impious and blasphemous’ book A single eye – all light, no darkness, the Calverts operated from their print shop at the Sign of the Black Spread Eagle* at the west end of St Paul’s Churchyard in London…download PDF for more.

spreadeagle



In Defence of the Hickey

Sunday, February 7th, 2010

We haven’t exactly been inundated with emails identifying these mystery objects.

They are, of course, hickey pickers, which are hand tools used by printers to remove the minute particles of hard ink or paper fibre which can sometimes work their way onto the surface of a lithographic printing plate or blanket while the press is running. These blemishes – or hickeys – can result in a ‘bullseye’ (or ‘doughnut’ if you’re American) appearing on the printed sheet – basically a small uninked spot in the printed image.

Hickeys are widely considered to be imperfections. Part of the unholy alliance which also includes catch-up, scumming, showthrough, misregistration, poor fit and setoff – all designed to thwart the printer and aggrieve the client.

But does the much maligned hickey deserve such a bad press?

These days letterpress printing is admired for it tactile quality and the ‘bite’ it gives to the printed piece – yet in the past letterpress minders would go to great lengths to prevent ‘bite’, applying and removing layers of tissue paper to the underside of metal type in order to retain the smooth surface of the printed sheet. The debossed effect, or ‘bite’ which gives letterpress printing a unique characteristic was, back then, considered a flaw.

Hickeys today are thought of as flaws in the print process but such flaws, in rare doses, can add something unique to otherwise identical copies. The Inverted Jenny stamp and the Wicked Bible are result of errors in the printing process – errors that differentiated them, made them more desirable.

You don’t get ‘bite’ in lithographic printing and you don’t get hickeys in digital printing – so when digital printing eventually replaces litho (as litho replaced letterpress) will future afficionados of print ephemera think of hickeys in an entirely new light?